Christ on the Cross - Hans Baldung Grien
Archival giclée
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Description
A powerful woodcut by Hans Baldung Grien depicting the Crucifixion with expressive figures and traditional memento mori symbols.
This woodcut by Hans Baldung Grien depicts the Crucifixion with the characteristic intensity of the Northern Renaissance. Baldung, a pupil of Albrecht Dürer, developed a distinct style that often incorporated expressive, sometimes angular, figures and a sense of dramatic tension. In this composition, Christ occupies the centre, flanked by the sun and moon, which symbolise the cosmic significance of the event. Below, the figures of the Virgin Mary and Saint John the Evangelist are rendered with heavy, flowing drapery that defines their grief through posture and gesture.
The artist employs a bold, graphic approach to line work. The cross itself is stark, and the surrounding terrain includes a skull and bone at the base, traditional memento mori symbols that ground the scene in the reality of death. A small, fortified town appears in the distance, providing a sense of place while maintaining the symbolic nature of the narrative. Baldung uses hatching to create depth and shadow, particularly within the folds of the garments and the musculature of the central figure.
As a printmaker, Baldung was known for his ability to translate complex theological themes into accessible, yet visually demanding, imagery. His work often reflects the transition from the late medieval period to the Reformation, where religious iconography became a subject for personal reflection. The composition is balanced, yet the individual figures possess a raw, emotional quality that distinguishes Baldung from his contemporaries. This print offers a clear view of the technical proficiency required for woodcut production in the early sixteenth century, where every line was carved with precision to ensure clarity in the final impression. The stark contrast between the black ink and the paper surface emphasises the gravity of the subject matter, making it a representative example of German printmaking from this era.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Christ on the Cross - Hans Baldung Grien
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