Cicade en mier op een kleed - Jan Punt
Archival giclée
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Description
A detailed eighteenth-century etching by Jan Punt, depicting a cicada and an ant upon a draped cloth, referencing the classic Aesop fable.
This etching by the Dutch artist Jan Punt presents a scene steeped in the tradition of moralising fables. The composition features a cicada and an ant positioned upon a draped cloth, a direct reference to the classic Aesop fable concerning industry and idleness. Punt, who was active in Amsterdam during the mid-eighteenth century, demonstrates his technical proficiency through the precise handling of line and shadow. The drapery, which falls in heavy folds, provides a textured surface for the insects, while the background reveals a classical architectural setting with a stone pedestal and a decorative urn.
The inclusion of a relief carving on the pedestal, depicting two putti, adds a layer of classical ornamentation typical of the period. The contrast between the small, humble insects and the grand, formal surroundings creates a tension between the natural world and the constructed environment. Punt employs a controlled, disciplined line to define the forms, ensuring that the focus remains on the narrative elements of the scene. The perspective is carefully managed, leading the eye from the foreground insects towards the distant, softly rendered horizon.
Jan Punt was known for his work as an engraver and actor, and his prints often reflect a theatrical sensibility in their staging. This particular work functions as a visual meditation on the themes of foresight and preparation. The clean, monochromatic palette allows the viewer to appreciate the structural integrity of the engraving. It is a fine example of eighteenth-century Dutch printmaking, where the marriage of classical motifs and didactic storytelling was highly valued. The work remains a clear representation of the period's interest in combining natural history with moral philosophy, presented through the medium of high-quality copperplate engraving.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Cicade en mier op een kleed - Jan Punt
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