Co-ee-há-jo, a Seminole Chief - George Catlin
Archival giclée
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Description
A portrait of the Seminole leader Co-ee-há-jo, painted by George Catlin in 1838 during his documentation of Indigenous North American cultures.
George Catlin painted this portrait of Co-ee-há-jo, a Seminole leader, during his travels through the American South. Catlin dedicated his career to documenting the lives and appearances of Indigenous peoples across North America, often working in situ to capture his subjects with directness. This portrait displays the artist's characteristic approach to oil painting, focusing on the individual features and specific attire of the sitter.
Co-ee-há-jo is depicted in a three-quarter view, holding a rifle, which was a common element in Catlin's portraits of leaders to signify their status and role. The subject wears a turban-style headpiece adorned with feathers, a garment that reflects the cultural synthesis occurring among the Seminole people during this period. The brushwork is relatively fluid, particularly in the rendering of the fabric and the soft, atmospheric background that isolates the figure from a specific setting. Catlin used a warm, earthy palette to define the skin tones and the textures of the clothing, creating a sense of immediacy.
This work belongs to the extensive collection of portraits Catlin produced for his Indian Gallery, a project intended to preserve the visual record of diverse tribes. While Catlin's work is often viewed through the lens of nineteenth-century ethnographic interest, his portraits remain primary visual documents of the individuals he encountered. The painting provides a clear view of the subject's expression and the details of his dress, including the patterned sash and the layered neckerchief. The composition is balanced, directing the viewer's attention to the face of the chief while acknowledging the tools of his trade. This print captures the texture of the original canvas, offering a clear reproduction of Catlin's technique and his specific interest in the documentation of Indigenous leadership.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Co-ee-há-jo, a Seminole Chief - George Catlin
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