Courtesan Mitsuura of the Nakaomiya - Torii Kiyonaga
Archival giclée
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Made to order
Description
A classic Ukiyo-e woodblock print by Torii Kiyonaga, depicting a courtesan and her attendants in a graceful, balanced composition.
This woodblock print by Torii Kiyonaga belongs to the series Twelve Floral Types of the Four Seasons in the Brothel, a collection that captures the refined atmosphere of the Yoshiwara pleasure district. Kiyonaga is recognised for his tall, graceful figures, a departure from the more compact proportions favoured by his predecessors. In this composition, the courtesan Mitsuura is depicted in a procession, accompanied by her young attendants, known as kamuro, and a male servant. The figures are arranged with a sense of poise, their layered kimonos displaying a variety of patterns that reflect the fashion of the Edo period.
The background features a stylised floral arrangement, which provides a seasonal context for the scene. Kiyonaga uses a balanced colour palette, employing soft tones that allow the linear quality of the woodblock technique to remain the primary focus. The artist avoids excessive ornamentation, preferring instead to let the posture and the drape of the garments convey the status and elegance of the subjects. The print demonstrates the technical precision of the Ukiyo-e school, where the carving and printing processes require immense skill to maintain the clarity of the outlines and the registration of the colours.
Kiyonaga was a master of the bijin-ga genre, which focuses on the depiction of beautiful women. His work often features these figures in outdoor settings, allowing for a more dynamic interaction between the subjects and their environment. This specific print offers a view into the social hierarchies and aesthetic values of late eighteenth-century Japan. The composition is structured to guide the eye across the group, creating a narrative flow that suggests movement despite the static nature of the medium. It remains a clear example of the stylistic shift towards realism and physical presence that defined Kiyonaga's career.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Courtesan Mitsuura of the Nakaomiya - Torii Kiyonaga
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