Courtesan Placing a Hairpin in Her Hair - Kaigetsudō Anchi
Archival giclée
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Description
A classic Ukiyo-e woodblock print by Kaigetsudō Anchi, depicting a courtesan adjusting her hair with bold, graphic lines and stylised floral kimono patterns.
This woodblock print by Kaigetsudō Anchi captures a classic subject of the Ukiyo-e genre, the bijin-ga, or picture of a beautiful woman. The Kaigetsudō school, active in the early 18th century, is known for its bold, graphic style and focus on the female figure. The artist employs strong, confident lines to define the silhouette of the courtesan, who is depicted in a moment of quiet preparation. Her posture is elegant, with arms raised to adjust a hairpin, a gesture that allows the artist to display the voluminous sleeves of her kimono.
The kimono itself is a primary element of the composition. It is decorated with large, stylised chrysanthemum motifs, which provide a rhythmic pattern across the fabric. The artist uses a monochromatic palette, relying on the weight and variation of the ink lines to create texture and form. The background remains plain, which directs the viewer's attention entirely to the figure and the decorative details of her attire. This approach is characteristic of the Kaigetsudō style, which prioritises clarity and visual impact over atmospheric depth.
Kaigetsudō Anchi was a member of the school founded by Kaigetsudō Ando. The school produced works that were widely collected during the Edo period. These prints often featured courtesans from the Yoshiwara pleasure district, reflecting the cultural interests of the urban merchant class. The figure's face is rendered with minimal features, following the aesthetic conventions of the time, while the hair and clothing are executed with precision. This print offers a clear example of the early Ukiyo-e aesthetic, where the focus is on the grace of the subject and the decorative potential of the kimono design. The work remains a representative example of the school's output, demonstrating the technical skill involved in early Japanese printmaking.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Courtesan Placing a Hairpin in Her Hair - Kaigetsudō Anchi
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