Courtisane met een klant - Kitagawa Utamaro
Archival giclée
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Description
A classic woodblock print by Kitagawa Utamaro, depicting an intimate scene between a courtesan and her client in the traditional ukiyo-e style.
This woodblock print by Kitagawa Utamaro belongs to the genre of shunga, or erotic art, which flourished during the Edo period in Japan. Utamaro is recognised for his mastery of the bijin-ga style, which focuses on the depiction of beautiful women. In this work, the artist employs his characteristic fluid line work to capture the intimacy between a courtesan and her client. The composition is tightly cropped, focusing entirely on the figures to create a sense of immediacy and private connection.
The print demonstrates the technical precision of the ukiyo-e tradition. The artist uses a balanced palette, incorporating muted tones alongside specific areas of pattern, such as the bold check of the man's kimono and the delicate floral motifs on the woman's garment. The inclusion of calligraphic text surrounding the figures is a common feature in such prints, providing context or poetic commentary that complements the visual narrative.
Utamaro was a central figure in the development of the ukiyo-e print, particularly in his ability to convey psychological depth through subtle facial expressions and body language. His work often explored the lives of those within the pleasure districts of Yoshiwara. This print provides a clear example of his approach to composition, where the arrangement of limbs and fabric creates a cohesive, rhythmic form. The print is a representative example of the sophisticated printing techniques available in late eighteenth-century Japan, where multiple blocks were used to achieve the final layered effect. It remains a significant piece for those interested in the history of Japanese printmaking and the social dynamics of the Edo period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Courtisane met een klant - Kitagawa Utamaro
Artist Biography
Kitagawa Utamaro
Almost nothing is certain about his early life. He was born around 1753, possibly in Edo, possibly in Kyoto, possibly in Kawagoe. He began publishing prints in the 1770s under the guidance of the publisher Tsutaya Juzaburo, who recognised what Utamaro could do with a portrait of a woman.
What he could do was unprecedented. He invented the okubi-e format: large head-and-shoulders portraits of individual women, mostly from the Yoshiwara pleasure district, printed in close-up with minimal background. Before Utamaro, bijin-ga (pictures of beautiful women) showed groups of figures in full length. He isolated the face, the tilt of the head, the expression. The prints are psychologically specific in a way that had not existed in Japanese printmaking.
He also published books of insect studies and volumes of shunga (erotica), and he made portraits of ordinary town women, not just courtesans. Ohisa and Okita, two shopgirls who appeared in his Three Beauties of the Present Day, became famous across Edo because of his prints. He turned real people into celebrities, which may be the first documented instance of an artist functioning as a kind of media platform.
Tsutaya Juzaburo died in 1797. Utamaro was reportedly devastated. Some critics feel his work never reached the same level afterward. He produced over two thousand prints in his career.
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