Cranes, Peach Tree, and China Rose - Shen Quan
Archival giclée
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Description
A refined bird-and-flower painting by Shen Quan, featuring two red-crowned cranes beneath a peach tree with China roses.
Shen Quan, also known by his courtesy name Nanpin, was a highly skilled painter of the Qing Dynasty. He is recognised for his meticulous approach to the bird-and-flower genre, a tradition that demands both technical precision and a deep observation of natural forms. This work displays his characteristic style, which combines traditional Chinese brushwork with a refined attention to detail that appealed to both domestic and Japanese audiences during the eighteenth century.
The composition features two red-crowned cranes, birds that carry significant cultural weight as symbols of longevity. One crane stands upon a rocky outcrop, while the other is positioned near a stream. Above them, a peach tree laden with fruit arches across the upper portion of the frame. The inclusion of China roses adds a delicate contrast to the more rugged textures of the rock and the gnarled branches of the tree. Shen Quan employs a balanced palette, using soft earth tones for the background and rock formations, which allows the white plumage of the cranes and the subtle pinks of the blossoms to emerge clearly.
The artist's technique involves fine, controlled brushwork to define the feathers and the texture of the bark. The spatial arrangement is carefully considered, creating a sense of depth through the layering of the tree branches, the central rock, and the foreground stream. This piece reflects the high level of craftsmanship associated with Shen Quan’s studio, where he trained numerous pupils in the Nanpin school. The work remains a clear example of the aesthetic values prevalent in mid-Qing period painting, where the natural world is rendered with both symbolic intent and visual clarity.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Cranes, Peach Tree, and China Rose - Shen Quan
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