Crucifixion - Lorenzo Lotto
Archival giclée
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Description
A dramatic 1531 altarpiece by Lorenzo Lotto, depicting the Crucifixion with a crowded, emotionally charged scene of mourners and soldiers.
Lorenzo Lotto painted this Crucifixion in 1531 for the church of Santa Maria in Telgate. The composition is defined by its arched top, a common format for altarpieces of the period. Lotto organises the scene into two distinct zones: the elevated, tragic figures of the three crucified men against a dark, atmospheric sky, and the chaotic, crowded ground level where soldiers and mourners gather.
The central figure of Christ occupies the vertical axis, flanked by the two thieves. Lotto employs a dramatic use of light to draw the eye towards the central cross, while the surrounding figures are rendered with a sense of movement and psychological tension. The lower portion of the canvas is packed with activity, featuring horses, soldiers in armour, and the grieving figures of the Virgin Mary and her companions. The emotional weight of the scene is conveyed through the varied gestures and expressions of the crowd, rather than through a static, balanced arrangement.
Lotto, a Venetian artist known for his idiosyncratic style, often departed from the strict classical norms of his contemporaries. In this work, the figures display a restless energy. The colour palette is dominated by deep shadows and muted tones, which serve to heighten the somber nature of the subject. The painting remains a significant example of Lotto's ability to combine traditional religious iconography with a personal, expressive approach to narrative composition. The work is currently housed in the church of Santa Maria in Telgate, Bergamo, where it continues to be viewed in its original context.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Crucifixion - Lorenzo Lotto
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