De Hoenderpoort te Nijmegen - Jan de Beijer
Archival giclée
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Description
A detailed 1752 topographical drawing by Jan de Beijer, capturing the historic Hoenderpoort gate in Nijmegen with precise pen work and grey wash.
Jan de Beijer was a prolific draughtsman known for his precise documentation of Dutch towns and buildings during the eighteenth century. This work depicts the Hoenderpoort, one of the historic gates of Nijmegen, as it appeared on 29 June 1752. The drawing captures the architectural character of the period, showing the gate structure alongside adjacent domestic buildings and the surrounding foliage.
De Beijer employed a disciplined technique, using fine pen lines to define the structural elements of the gate and the gabled houses. The application of grey wash provides subtle tonal variation, suggesting the play of light across the stone surfaces and the depth of the trees. His approach is characteristic of the topographical tradition, which prioritised accurate representation of urban environments for both record-keeping and aesthetic appreciation. The inclusion of a horse-drawn cart in the foreground adds a sense of daily activity to the scene, grounding the architectural subject in the reality of mid-eighteenth-century life.
This drawing offers a clear view of the urban layout of Nijmegen before the significant modifications brought by later industrialisation and city expansion. The composition is balanced, with the gate and houses forming a cohesive unit against the backdrop of trees and the elevated structure visible in the distance. By focusing on the specific details of the masonry, window placements, and roof lines, De Beijer provides a valuable visual account of the city's heritage. The work remains a primary source for historians interested in the development of Dutch urban architecture. Its clean lines and restrained use of wash make it an excellent example of the draughtsmanship that defined the period, reflecting a clear interest in the preservation of local history through art.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
De Hoenderpoort te Nijmegen - Jan de Beijer
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