De Munter (The Moneyer) - Cornelis van der Sys
Archival giclée
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Description
A detailed seventeenth-century etching depicting a minting workshop, accompanied by moralising Dutch poetry regarding the nature of wealth.
This etching, titled De Munter (The Moneyer), originates from the series Menselyk Bedryf, a collection documenting various trades and professions during the Dutch Golden Age. The work depicts a busy minting workshop, where the central figure strikes a coin with a hammer. The composition captures the technical process of currency production, showing the physical labour involved in the creation of silver and gold coinage. In the background, other workers operate a furnace, providing a glimpse into the industrial environment of a seventeenth-century mint.
The print includes Dutch verses above and below the central image. These lines offer a moral commentary on the nature of wealth, contrasting the pursuit of material riches with spiritual values. The text warns against the corrupting influence of gold and silver, suggesting that the human heart should seek higher purpose rather than worldly gain. This combination of visual documentation and didactic poetry was a common feature in Dutch emblem books and trade illustrations of the period.
Technically, the etching displays the fine line work characteristic of the era. The artist employs cross-hatching to define the shadows within the workshop, creating a sense of depth and volume. The figures are rendered with attention to their specific tasks, from the primary moneyer to the assistants tending the fire. The architectural setting, with its arched windows and stone walls, provides a structured frame for the activity. This print serves as a historical record of early modern manufacturing techniques, while simultaneously functioning as a moralising piece of literature. It offers a window into the social and economic values of the Dutch Republic, where the pride in craftsmanship was often balanced by a cautious attitude towards the accumulation of capital.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
De Munter (The Moneyer) - Cornelis van der Sys
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