De Nederlandse Maagd als dienstmeid met een blad glazen struikelt over het afstapje Verkiezingen - Johan Braakensiek
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A satirical 1924 political illustration by Johan Braakensiek depicting the Dutch Maiden stumbling over an electoral step.
This political cartoon by Johan Braakensiek, created for the Dutch weekly magazine De Amsterdammer, offers a satirical commentary on the 1924 Dutch elections. The artist employs the figure of the Dutch Maiden, a traditional personification of the Netherlands, depicted here as a domestic servant. She is shown stumbling over a step labelled 'Verkiezingen' (Elections) while carrying a tray of glasses, each bearing the caricatured face of a contemporary politician. The precarious nature of her task serves as a visual metaphor for the instability and potential chaos inherent in the electoral process of the time.
Braakensiek was a prolific illustrator, known for his sharp observations of Dutch social and political life. His style relies on clear, decisive ink lines and high-contrast shading, which allowed his work to be reproduced effectively in the print media of the early twentieth century. The composition is balanced, with the figure of the maid positioned centrally against a stark, dark doorway, drawing the viewer's attention to her awkward movement and the fragile cargo she holds. The inclusion of the specific date, 17 May 1924, anchors the work in a precise historical moment, reflecting the tensions within the Dutch parliamentary system during the interwar period.
As a piece of graphic journalism, the work captures the anxieties of the electorate and the perceived incompetence of the political class. The artist avoids excessive detail, focusing instead on the narrative clarity of the scene. The use of caricature for the faces on the glasses provides a layer of biting humour, common in the editorial cartoons of the era. This print provides an insight into the visual language of political discourse in the Netherlands during the 1920s, demonstrating how artists used allegory to critique the governance of their day.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
De Nederlandse Maagd als dienstmeid met een blad glazen struikelt over het afstapje Verkiezingen - Johan Braakensiek
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

