De rozewitte hyacint Staaten Generaal - Abraham Hendrik van Beesten
Archival giclée
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Description
A precise eighteenth-century botanical watercolour study of the 'Staaten Generaal' hyacinth by Dutch artist Abraham Hendrik van Beesten.
This botanical study by Abraham Hendrik van Beesten depicts the 'Staaten Generaal' hyacinth, a cultivar that gained popularity during the eighteenth-century Dutch obsession with bulbous flowers. Van Beesten, a Dutch artist active during the mid-eighteenth century, specialised in the precise documentation of flora. His approach reflects the scientific rigour of the period, where the classification and visual recording of new plant varieties were of great interest to both botanists and wealthy collectors.
The composition is centred and symmetrical, allowing the viewer to observe the structure of the plant without distraction. The artist employs a delicate application of watercolour to capture the soft, layered petals of the hyacinth. The pale pink and white hues of the florets are balanced by the deep, linear green of the leaves, which rise vertically from the base. The shading on the leaves provides a sense of volume, while the background remains plain to ensure the focus stays on the botanical specimen itself.
Van Beesten demonstrates a high level of technical control in his handling of the medium. The fine lines used to define the edges of the petals and the veins of the leaves show a disciplined hand. This work is typical of the period's botanical art, which sought to combine aesthetic appeal with accurate observation. It serves as a record of a specific horticultural achievement of the time, capturing the form of the hyacinth with clarity and restraint. The work is presented on a neutral ground, typical of the era's scientific illustrations, which were often intended for inclusion in private collections or botanical catalogues. The absence of extraneous detail ensures that the viewer can appreciate the specific characteristics of this particular hyacinth variety, from the arrangement of the florets to the texture of the foliage.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
De rozewitte hyacint Staaten Generaal - Abraham Hendrik van Beesten
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