De verloren zoon ontvangt zijn erfdeel - Abraham de Bruyn
Archival giclée
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Description
A sixteenth-century engraving by Abraham de Bruyn depicting the biblical scene of the Prodigal Son receiving his inheritance.
This engraving by Abraham de Bruyn depicts a scene from the biblical parable of the Prodigal Son. The composition is contained within a circular frame, a common format for sixteenth-century prints intended for collectors or inclusion in series. The artist captures the moment the son receives his portion of the inheritance from his father. The father sits at a table, gesturing towards the son, while a third figure stands by, perhaps acting as a witness or intermediary. A small dog occupies the foreground, adding a touch of domestic realism to the scene.
De Bruyn, a Flemish engraver and publisher active in Antwerp and Cologne, demonstrates the technical precision characteristic of the period. The use of cross-hatching and varied line weights creates depth within the interior space, while the background reveals a glimpse of a landscape through an opening. The figures are dressed in contemporary sixteenth-century attire, a standard practice in Northern Renaissance art to make biblical narratives accessible to the viewer. The table, with its heavy base and cloth, sits upon a tiled floor, providing a stable geometric foundation for the interaction between the figures.
As a printmaker, de Bruyn was known for his ability to translate complex narratives into small-scale, highly readable images. This work reflects the moralising tone often found in Dutch and Flemish art of the era, where the parable serves as a warning against profligacy. The clarity of the engraving allows for a close examination of the expressions and gestures, which convey the gravity of the transaction. This print is a fine example of the narrative engraving tradition that flourished in the Low Countries during the late sixteenth century, demonstrating the skill required to balance human interaction with architectural and environmental detail within a constrained circular space.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
De verloren zoon ontvangt zijn erfdeel - Abraham de Bruyn
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