De Wal van Utrecht met de Mariakerk in het verschiet - Abraham Rutgers
Archival giclée
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Description
A seventeenth-century topographical drawing by Abraham Rutgers depicting the city walls of Utrecht and the Mariakerk.
This drawing by Abraham Rutgers captures a specific view of the city walls of Utrecht during the seventeenth century. The composition is structured by a path leading the eye towards the distance, flanked by a row of trees on the right and a substantial building on the left. In the background, the silhouette of the Mariakerk, or St. Mary's Church, is visible, providing a clear geographical marker for the scene. Rutgers employs pen and brown ink to define the architectural forms and the skeletal branches of the trees, while brown wash adds depth and shadow to the scene.
The work reflects the interest in local topography common among Dutch artists of the period. Rather than creating an idealised view, the artist records the urban environment with precision. The inclusion of small figures walking along the ramparts adds a sense of scale and human presence to the quiet, atmospheric setting. The use of light and shadow, achieved through the application of wash, creates a sense of space that draws the viewer into the scene. The drawing demonstrates the technical skill required to balance architectural detail with the organic forms of the trees and the open sky.
Abraham Rutgers was a Dutch draughtsman known for his topographical studies. His work provides a record of the appearance of Dutch cities before the significant urban changes of later centuries. This print, reproduced from the original drawing, maintains the tonal qualities of the ink and wash, offering an authentic representation of the artist's hand. It is a piece that invites quiet observation, suitable for those interested in the history of urban development and the tradition of Dutch topographical art.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
De Wal van Utrecht met de Mariakerk in het verschiet - Abraham Rutgers
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