Double Portrait of Peter Paul Rubens and Anthony van Dyck - Anthony van Dyck
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A detailed seventeenth-century engraving featuring a double portrait of Peter Paul Rubens and Anthony van Dyck, surrounded by elaborate Baroque ornamentation.
This engraving depicts two of the most influential figures in seventeenth-century Flemish art: Peter Paul Rubens and Anthony van Dyck. The composition is structured as a double portrait, with each artist contained within an oval frame. The surrounding decorative elements are characteristic of the period, featuring elaborate scrollwork, putti, and symbolic motifs that elevate the status of the subjects.
Van Dyck, a student of Rubens, developed a style that balanced the technical mastery of his mentor with a more refined, courtly sensibility. The engraving captures the professional connection between the two men, who were both knighted for their contributions to art and diplomacy. The inclusion of a lion, a globe, and various heraldic symbols suggests the global reach and intellectual stature of these painters.
The technical execution of the engraving demonstrates the precision required for such complex compositions. The engraver has employed a variety of hatching techniques to create depth and texture, from the soft rendering of the subjects' faces to the metallic sheen of the armour and the organic forms of the surrounding foliage. The work functions as a visual record of the artistic lineage within the Flemish school, documenting the transition from the robust, painterly style of Rubens to the more elegant, psychological approach favoured by Van Dyck.
This print is a fine example of how portraiture was used to construct the identity of the artist as a gentleman and a scholar. By placing these figures within a framework of classical and allegorical imagery, the work aligns them with the intellectual traditions of the European Renaissance and Baroque eras. It remains a significant document for those studying the social history of art and the professional relationships that defined the seventeenth-century art market in Antwerp and beyond.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Double Portrait of Peter Paul Rubens and Anthony van Dyck - Anthony van Dyck
Artist Biography
Anthony Van Dyck
His time in Genoa and, later, as court painter to Charles I of England, cemented his legacy. Van Dyck didn't just record likenesses; he elevated his subjects, imbuing them with an aristocratic grace that defined the Caroline era. He established a visual language of power and refinement, influencing portraiture for centuries. Consider his iconic depictions of Charles I, such as "Charles I at the Hunt", which capture the king's regal bearing and hint at the complexities of his reign.
Beyond portraiture, Van Dyck was a master of religious and mythological scenes, showcasing his versatility and technical skill. His impact resonates even today, not only in the art world but also in fashion and popular culture, where his aesthetic continues to inspire. He died in London, leaving behind a glittering oeuvre that continues to captivate and inspire.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

