Drawing by Balthazar Peruzzi of Sienna - Anne Claude Philippe de Thubières, comte de Caylus
Archival giclée
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Description
A refined chiaroscuro print by the comte de Caylus, reproducing a classical drawing by Baldassare Peruzzi from the Crozat collection.
This print is a reproduction of a drawing by the Italian Renaissance master Baldassare Peruzzi. It was produced by the French antiquarian and engraver Anne Claude Philippe de Thubières, comte de Caylus, as part of his efforts to document works held in private collections, specifically that of Pierre Crozat. The technique employed here is a combination of etching and woodcut, intended to mimic the appearance of a wash drawing or a chiaroscuro print.
The composition depicts a classical scene featuring a central figure accompanied by a lion, standing near a portico. In the background, a pastoral setting unfolds with various animals, including cattle and smaller creatures, arranged in a manner typical of Renaissance narrative art. The use of tonal variations in brown ink provides a sense of depth and volume, characteristic of the chiaroscuro style that was highly regarded by eighteenth-century collectors for its ability to replicate the nuances of original sketches.
Caylus was a significant figure in the study of classical art, and his project to engrave the drawings in the Crozat collection provided contemporary artists and scholars with access to works that were otherwise inaccessible. The print reflects the eighteenth-century interest in the preservation and dissemination of Renaissance draughtsmanship. The inclusion of the original inscription at the base of the print confirms its provenance and the collaborative nature of its production, involving the oversight of Nicolas Le Sueur. This piece offers a glimpse into the history of printmaking and the systematic documentation of European art collections during the Enlightenment period. The work maintains a balance between the linear precision of the etching and the soft, atmospheric quality of the woodcut overlays, resulting in a sophisticated visual record of Peruzzi's original design.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Drawing by Balthazar Peruzzi of Sienna - Anne Claude Philippe de Thubières, comte de Caylus
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