Drie wezens - Lucebert
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Description
A 1973 drawing by Dutch CoBrA artist Lucebert, featuring three abstracted, colourful figures rendered in crayon and ink.
Lucebert, born Lubertus Jacobus Swaanswijk, was a central figure in the Dutch post-war avant-garde. As a poet and painter, he operated within the CoBrA movement, which prioritised spontaneous expression and a rejection of traditional aesthetic constraints. This work, titled Drie wezens (Three Beings), demonstrates his characteristic approach to figuration. The composition features three distinct, abstracted entities rendered with a sense of urgency and playfulness.
Lucebert employs a graphic style, using thin, decisive outlines to define the forms of these creatures. The interior of each figure is filled with segmented patches of colour, primarily green, yellow, blue, and orange. These geometric fragments create a mosaic effect, breaking down the anatomy of the subjects into rhythmic, non-representational patterns. The background remains largely sparse, allowing the figures to occupy the space without the need for environmental context.
Typical of his later work, the drawing reflects an interest in the grotesque and the childlike. The figures possess wide, staring eyes and simplified limbs, suggesting a primitive or mythical origin. The use of crayon provides a tactile quality to the surface, with visible strokes and varying pressure. The date, 27 January 1973, is inscribed clearly in the lower right corner, a common practice for the artist who often documented his daily creative output. This piece offers a clear view into his method of working, where the boundary between drawing and painting is blurred through the application of colour within linear structures. It is an example of his ability to balance chaotic energy with a controlled, rhythmic application of medium, resulting in a work that feels both immediate and carefully considered.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Drie wezens - Lucebert
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