Edinburgh - John Walker
Archival giclée
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Description
A detailed copperplate engraving of Edinburgh Castle from The Copperplate Magazine, capturing the city in the late eighteenth century.
This copperplate engraving, titled Edinburgh, originates from The Copperplate Magazine, a publication that circulated in the late eighteenth and early nineteenth centuries. The work features a view of Edinburgh Castle, positioned atop its volcanic crag, overlooking the city below. The composition follows the conventions of topographical illustration common to the period, balancing architectural detail with the surrounding natural features.
John Walker, the engraver, employed precise line work to define the textures of the stone castle and the foliage of the foreground trees. The sky is rendered with subtle cross-hatching, creating a sense of atmospheric depth. In the foreground, small figures populate the grassy slopes, providing a sense of scale to the imposing structure above. These figures, dressed in period attire, add a narrative quality to the scene, suggesting the daily life of the city during the Georgian era.
The Copperplate Magazine was known for its documentation of British and Irish sites, often relying on original drawings by various artists to produce these prints. This specific plate captures the city before the extensive urban developments of the nineteenth century, offering a view of the capital that is both historical and descriptive. The print retains the original plate marks and text typical of its source, including the publication details and the title. It is a clear example of the technical skill required for commercial engraving during this era, where the goal was to provide accurate visual records for a public interested in travel and national identity. The monochrome palette and the controlled application of shadow demonstrate the limitations and the strengths of the copperplate medium, which allowed for fine detail in small-scale reproductions.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Edinburgh - John Walker
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