Edward Waldo Forbes - Pietro Pezzati
Archival giclée
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Description
A formal portrait of Edward Waldo Forbes, director of the Fogg Art Museum, painted by Pietro Pezzati in 1960.
This portrait depicts Edward Waldo Forbes, the long-serving director of the Fogg Art Museum at Harvard University. Painted by Pietro Pezzati in 1960, the work captures the subject in his later years, reflecting the quiet authority associated with his tenure in the museum world. Pezzati, an American painter known for his traditional approach to portraiture, employs a controlled palette and soft lighting to model the features of the sitter. The composition is formal, focusing on the head and shoulders of Forbes, who is dressed in a dark suit and tie.
The background is largely indistinct, save for a subtle, ghostly rendering of a bird of prey, which adds a layer of personal symbolism to the portrait. This inclusion suggests a connection to Forbes's interests or perhaps his role as a collector and guardian of art. The brushwork is precise, demonstrating the artist's technical training and his ability to render texture, from the fabric of the suit to the weathered skin of the subject.
Pezzati's style aligns with the mid-twentieth-century continuation of academic portraiture, prioritising likeness and psychological presence over stylistic experimentation. The lighting creates a gentle contrast, drawing the viewer's eye to the face of the sitter, where the expression is one of calm contemplation. The work remains a document of an individual who shaped the institutional history of American art museums during the mid-twentieth century. By focusing on the subject's gaze and the subtle details of his attire, the artist provides a character study that avoids unnecessary ornamentation, allowing the personality of Forbes to occupy the frame.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Edward Waldo Forbes - Pietro Pezzati
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