Eene Eerste Kennismaking - Johan Michaël Schmidt Crans
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Description
A 1860 political lithograph by Johan Michaël Schmidt Crans depicting a satirical boxing match between Dutch politician De Brauw and Minister Van Hall.
This lithograph, titled Eene Eerste Kennismaking (A First Acquaintance), is a political caricature by the Dutch artist Johan Michaël Schmidt Crans. Dated 27 April 1860, the work depicts a physical confrontation between two prominent figures of the Dutch political scene: the Member of Parliament De Brauw and the Minister of Finance, Floris Adriaan van Hall. The artist employs the visual language of a boxing match to represent the parliamentary tensions of the era. De Brauw is shown delivering a punch, his arm marked with the word 'Motie', referring to a motion brought against the minister. Van Hall is depicted in a defensive, falling posture, clutching a briefcase, which serves as a symbol of his ministerial office and financial responsibilities.
Schmidt Crans was a skilled draughtsman known for his contributions to Dutch satirical publications. His work often captured the friction between legislative oversight and executive power. The composition is sparse, focusing entirely on the interaction between the two men, which allows the viewer to concentrate on the narrative of the political struggle. The lines are clean and precise, characteristic of mid-nineteenth-century lithographic techniques used for mass-produced political commentary. By stripping away background detail, the artist ensures the focus remains on the symbolic action of the motion being used as a weapon. This piece provides a window into the parliamentary culture of the Netherlands in the mid-nineteenth century, where political disagreements were frequently translated into the public sphere through biting visual satire. The print was published by D.A. Thieme and Martinus Nijhoff, reflecting the active role of print culture in shaping public opinion during this period of Dutch history.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Eene Eerste Kennismaking - Johan Michaël Schmidt Crans
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