Eiffeltoren gezien van het viaduct van Auteuil - Henri Rivière
Archival giclée
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Description
A refined colour lithograph by Henri Rivière, depicting a serene view of the Eiffel Tower from the Auteuil viaduct in a style influenced by Japanese printmaking.
This colour lithograph by Henri Rivière captures a view of the Eiffel Tower from the Auteuil viaduct in Paris. Rivière, a central figure in the French printmaking revival at the turn of the twentieth century, drew significant inspiration from Japanese woodblock prints. His work often features simplified forms, flat areas of colour, and unconventional perspectives that depart from traditional Western realism.
The composition is defined by its quiet, atmospheric quality. The Seine flows through the centre of the frame, reflecting the pale sky and the industrial silhouette of the city. The Eiffel Tower appears as a slender, distant marker, while the foreground is dominated by the muted tones of the river and the gentle movement of small boats. Rivière uses a restrained palette, relying on soft greys, blues, and warm peach tones to convey the light of a Parisian day. The print is part of a larger series documenting the changing urban environment of Paris, reflecting the artist's interest in the intersection of modern infrastructure and the natural environment.
Rivière was a master of the lithographic process, and his ability to layer colours allowed him to achieve subtle gradients that mimic the appearance of watercolour. This print demonstrates his technical precision and his preference for balanced, harmonious arrangements. By stripping away unnecessary detail, he invites the viewer to focus on the structural rhythm of the city. The work remains a clear example of the influence of Ukiyo-e aesthetics on European printmaking, where the emphasis is placed on the decorative potential of the image rather than purely mimetic representation. This piece is suitable for those who appreciate the intersection of historical urban documentation and the refined techniques of early twentieth-century graphic art.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Eiffeltoren gezien van het viaduct van Auteuil - Henri Rivière
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