Enoshima Island in Sagami Province - Katsushika Hokusai
Archival giclée
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Description
A classic woodblock print from Hokusai's Thirty-six Views of Mount Fuji, depicting the tidal island of Enoshima and its pilgrims at low tide.
This woodblock print belongs to the series Thirty-six Views of Mount Fuji, a collection produced by Katsushika Hokusai during the peak of his career. The composition depicts the tidal island of Enoshima, located in Sagami Province. At low tide, a sandbar emerges, allowing pilgrims and travellers to cross from the mainland to the island, which is home to the Enoshima Shrine. Hokusai captures the movement of these figures as they navigate the wet terrain, their small forms providing a sense of scale against the architecture of the village.
The print demonstrates the artist's mastery of spatial arrangement and colour. The island is densely packed with traditional structures, rendered with precise lines that define the thatched roofs and stone walls. Beyond the island, the calm waters lead the eye toward the distant, snow-capped peak of Mount Fuji, which appears small yet distinct on the horizon. The sky features a subtle gradient, a technique known as bokashi, which transitions from a deep blue at the top to a lighter tone near the horizon line. This effect adds depth to the scene, separating the foreground activity from the distant mountain.
Hokusai utilised the Prussian blue pigment, which was relatively new to Japan at the time, to achieve the deep tones in the water and sky. This choice of colour helped define the aesthetic of the series and influenced the production of later ukiyo-e prints. The work functions as both a topographical record of a popular pilgrimage site and a study of the relationship between human activity and the natural environment. The balance between the detailed village architecture and the expansive, open space of the sea creates a calm, observational quality. This print remains a representative example of Hokusai's ability to integrate human life into the broader context of the Japanese terrain.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Enoshima Island in Sagami Province - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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