Entrance to the Moulin de la Galette - Vincent van Gogh
Archival giclée
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Description
A delicate watercolour and ink study of the Moulin de la Galette entrance in Paris, created by Vincent van Gogh in 1886.
This work depicts the entrance to the Moulin de la Galette, a popular windmill and dance hall located in the Montmartre district of Paris. Vincent van Gogh produced this piece shortly after his arrival in the city in 1886. The composition captures a quiet moment at the site, featuring a path leading towards the structure, framed by trees and walls. A small figure of a child and a woman in a long skirt provide a sense of scale to the scene.
Van Gogh utilised a combination of ink lines and watercolour washes to define the space. The ink outlines are clear and deliberate, providing structure to the architectural elements and the foliage. The application of colour is relatively light, with washes of blue for the sky and yellow-green tones for the trees, reflecting his early experimentation with the lighter palette he encountered in Paris. Unlike his later, more impasto-heavy works, this piece demonstrates a focus on graphic clarity and the observation of light in an urban setting.
The Moulin de la Galette was a frequent subject for artists of the period, including Renoir and Toulouse-Lautrec, who were drawn to its social atmosphere. Van Gogh, however, often approached the site with a more observational eye, focusing on the geometry of the entrance and the surrounding street. This watercolour serves as a record of his transition from the darker, earth-toned palette of his Dutch period to the brighter, more experimental style that would define his later years in France. The work remains a clear example of his technical approach to drawing and colour during his initial months in the French capital.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Entrance to the Moulin de la Galette - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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