Fabriek op Java - H.Th. Hesselaar
Archival giclée
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Description
A nineteenth-century oil painting depicting a colonial factory complex in Java, featuring red-tiled roofs and distant volcanic mountains.
This painting by H.Th. Hesselaar depicts a colonial industrial site in Java, Indonesia, during the late nineteenth century. The composition centres on a low-slung factory complex with distinctive red-tiled roofs, enclosed by a white perimeter wall. A Dutch flag flies prominently in the foreground, signalling the colonial administrative presence of the era. The background features the soft, atmospheric silhouettes of volcanic peaks, a common motif in the visual documentation of the Dutch East Indies.
The artist employs a clear, observational approach, typical of topographical works intended to record the physical reality of colonial enterprise. The foreground includes a dirt path and a small water channel, with figures depicted in transit, providing a sense of scale to the industrial buildings. The light is diffuse, suggesting a warm, tropical climate, while the palette relies on earthy tones for the ground and soft blues for the distant mountains. The architecture reflects the adaptation of European building styles to the Javanese environment, with wide eaves and covered verandas.
Hesselaar captures the intersection of local geography and colonial infrastructure. The work functions as a historical record of the economic activities that defined the period, specifically the processing plants that were common across the Javanese interior. The painting avoids dramatic artifice, preferring a measured, descriptive style that prioritises clarity and spatial accuracy. It offers a view into the visual culture of the Dutch East Indies, where painters documented the expansion of trade and industry. The inclusion of the flag and the specific architectural details serves to identify the site as a Dutch-operated facility, reflecting the broader economic systems of the time. This print provides a window into the colonial history of the region, rendered with the precision of a nineteenth-century observer.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Fabriek op Java - H.Th. Hesselaar
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