Festes triomphales que Paris fit à Alexandre Farnese - Romeyn de Hooghe
Archival giclée
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Description
A detailed 17th-century etching by Romeyn de Hooghe depicting the triumphal procession of Alexander Farnese in Paris.
This etching by the Dutch artist Romeyn de Hooghe depicts the ceremonial reception of Alexander Farnese in Paris. The composition captures a grand procession, marked by the presence of a monumental triumphal arch that dominates the mid-ground. De Hooghe, a master of the etching medium, employs a high vantage point to organise the dense crowd of soldiers, horses, and carriages into a coherent narrative scene. The foreground is occupied by a cavalry unit, with specific figures identified by letters corresponding to the legend at the base of the print, including Alexander Farnese, the Duke of Maine, and Prince Ranuccio.
The background reveals a panoramic view of the Parisian skyline, rendered with precise architectural detail. De Hooghe balances the busy, chaotic energy of the military encampment with the rigid, formal structure of the triumphal architecture. His line work is characteristic of the late seventeenth-century Dutch school, utilising varied hatching to suggest texture, depth, and the play of light across the scene. The print serves as a visual record of political and military pageantry, documenting the specific iconography associated with the Catholic League during the French Wars of Religion.
As a printmaker, De Hooghe was known for his ability to manage complex, multi-figure compositions without sacrificing clarity. The work demonstrates his technical proficiency in creating atmospheric perspective, allowing the viewer to transition from the immediate detail of the riders in the foreground to the distant, hazy silhouette of the city. This piece provides a window into the visual culture of the period, where public spectacles were used to communicate power and political allegiance. The inclusion of the legend at the bottom confirms its function as a commemorative document, intended to inform the viewer of the specific historical actors present at this event.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Festes triomphales que Paris fit à Alexandre Farnese - Romeyn de Hooghe
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