Fifty-Three Stations of the Tōkaidō: Inspired by Famous Pictures (Kanagawa) - Utagawa Kunisada
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Description
A 1852 woodblock print by Utagawa Kunisada featuring a dual-register composition of a Kanagawa steamship and a dramatic Kabuki theatre scene.
This woodblock print by Utagawa Kunisada belongs to the series 'Fifty-Three Stations of the Tōkaidō: Inspired by Famous Pictures', published in 1852. The composition follows the standard format for this series, which divides the image into two distinct registers. The upper section depicts a landscape scene, specifically the port of Kanagawa, featuring a steamship. This inclusion reflects the mid-nineteenth-century Japanese fascination with foreign technology and the changing maritime activity along the coast.
The lower register presents a dramatic scene from the Kabuki theatre. Kunisada, a master of the actor print genre, captures a moment of high tension between two figures. The male actor, rendered with the exaggerated facial features and red kumadori makeup typical of a villainous or powerful role, looms over a female character. His expression is one of intense focus, while his costume displays bold patterns and textures. The female figure is positioned below, her posture suggesting vulnerability or surprise. The contrast between the static, observational nature of the upper landscape and the dynamic, performative energy of the lower portrait is a hallmark of this series.
Kunisada utilised a palette of saturated blues, greens, and reds, which remain clear despite the age of the original print. The lines are precise, defining the contours of the actors' garments and the architectural details of the ship. This work provides a window into the cultural synthesis of the late Edo period, where traditional theatrical arts existed alongside the encroaching influence of Western industrialisation. The print serves as a record of both the geography of the Tōkaidō road and the popular entertainment of the era, combining two distinct subjects into a single, cohesive visual narrative.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Fifty-Three Stations of the Tōkaidō: Inspired by Famous Pictures (Kanagawa) - Utagawa Kunisada
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