Fifty-three Stations on the Tokaido Road: Shinagawa - Utagawa Hiroshige
Archival giclée
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Description
A woodblock print by Utagawa Hiroshige depicting travellers at the Shinagawa station on the Tokaido Road, featuring a view of the bay and Mount Fuji.
This woodblock print belongs to the series Fifty-three Stations on the Tokaido Road, a collection documenting the route between Edo and Kyoto. Utagawa Hiroshige captures the atmosphere of travel during the Edo period, focusing on the specific character of each station. This particular sheet depicts Shinagawa, the first station after departing Edo.
The composition is divided into two distinct zones. The foreground features travellers and porters, rendered with a focus on their practical attire and the physical exertion of their journey. Their figures are depicted with clear outlines and flat colour fields, typical of the Ukiyo-e style. The background provides a panoramic view of the bay, with small sailing vessels dotting the water and the distant silhouette of Mount Fuji visible on the horizon.
Hiroshige uses a combination of cartographic detail and artistic observation. The inclusion of text boxes identifying specific locations within the scene suggests a function as a guide or souvenir for travellers. The palette is restrained, relying on soft blues, earthy browns, and muted greens to create a sense of distance and atmospheric perspective. The print demonstrates the artist's ability to balance the mundane details of daily life with the broader geography of the Japanese countryside. By documenting the movement of people along this major thoroughfare, Hiroshige provides a record of the social and physical environment of nineteenth-century Japan. The work remains a primary source for understanding the logistics of travel and the visual culture of the period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Fifty-three Stations on the Tokaido Road: Shinagawa - Utagawa Hiroshige
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