Fragment of a Twenty-Five Gulden Banknote - Pieter Dupont
Archival giclée
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Description
A precise engraving fragment by Dutch artist Pieter Dupont, showcasing the technical skill and ornamental style of turn-of-the-century banknote design.
This print displays a fragment of a twenty-five gulden banknote design by the Dutch artist and engraver Pieter Dupont. Known for his technical precision, Dupont was a significant figure in the revival of the graphic arts in the Netherlands at the turn of the twentieth century. The composition features the number twenty-five enclosed within a circular frame, surrounded by dense, flowing acanthus-style ornamentation typical of the period.
The work demonstrates the rigorous discipline required for currency design, where security and aesthetic form meet. The lines are executed with extreme control, creating a sense of depth through varied hatching and cross-hatching techniques. The surrounding scrollwork exhibits the characteristic fluidity of Art Nouveau, yet maintains the structural clarity necessary for a functional financial document. The presence of the plate mark and the artist's initials in the lower margin suggests this is a proof or a study pulled from the original copper plate.
Dupont, who served as a professor at the Rijksakademie in Amsterdam, influenced a generation of Dutch printmakers. His approach to the medium was rooted in a deep understanding of the physical properties of the metal plate. This specific fragment provides a view into the meticulous process of banknote production, where every curve and shadow serves a dual purpose of artistic expression and anti-counterfeiting measure. The stark contrast between the white paper and the black ink emphasises the clarity of the engraving, allowing the viewer to appreciate the technical skill involved in such a small-scale, high-density composition. It is a piece that appeals to those interested in the history of graphic design, currency, and the intersection of industrial utility with fine art printmaking.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Fragment of a Twenty-Five Gulden Banknote - Pieter Dupont
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