Fragment of Hanging - Fine Art Print
Archival giclée
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Made to order
Description
A detailed reproduction of a medieval Indian block-printed cotton fragment, featuring rhythmic figures and a decorative floral border.
This textile fragment represents a significant example of early Indian block-printed cotton, likely produced in the Gujarat region. The piece displays a sophisticated use of mordant dyeing, a technique that allowed for the application of permanent colours onto cotton fibres. The composition is structured around a central field populated by repeated figures, framed by a distinct border featuring stylised floral motifs.
The figures within the central panel appear to be engaged in ritual or courtly activities, carrying vessels or offerings. Their stylised forms and the rhythmic repetition of their postures suggest a highly developed decorative tradition. The colour palette, dominated by deep madder reds, indigo blues, and natural cotton tones, reflects the specific chemical properties of the dyes available to artisans of the period. The border design, with its alternating floral and face-like elements, provides a strong geometric contrast to the more fluid, crowded arrangement of the central scene.
As a fragment, the piece offers a glimpse into the production of large-scale hangings, which were often used for religious or ceremonial purposes. The wear and loss of material across the surface reveal the underlying weave of the cotton, providing evidence of the physical construction of the object. This print captures the aesthetic qualities of the original textile, preserving the visual rhythm and the specific character of the hand-blocked application. It serves as a record of historical craftsmanship, documenting the intersection of technical skill and decorative narrative in medieval textile production. The work is representative of the trade goods that circulated across the Indian Ocean, influencing aesthetic preferences in distant markets.
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Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Fragment of Hanging - Fine Art Print
Artist Biography
Unknown Artist
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
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