Frances Teresa Stuart, Duchess of Richmond and Lennox, in Travesty - Samuel Cooper
Archival giclée
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Description
A fine portrait miniature by Samuel Cooper depicting Frances Teresa Stuart in masculine attire, reflecting the fashion of the Restoration court.
Samuel Cooper remains the most accomplished practitioner of the portrait miniature in seventeenth-century Britain. This work depicts Frances Teresa Stuart, a prominent figure at the court of Charles II, dressed in travesty. The term refers to the fashion of women adopting masculine attire, a practice that gained popularity within the Restoration court as a form of playful subversion. Cooper captures the sitter with his characteristic precision, employing fine brushwork to render the texture of her elaborate blonde curls and the delicate lace of her cravat.
The miniature format requires a high degree of technical control, as the artist must achieve a sense of volume and character within a very small surface area. Cooper excels here by balancing the soft, pale tones of the sitter's complexion against the darker, more muted background. The blue ribbon at her neck provides a subtle point of colour, drawing the eye to the centre of the composition. Her expression is calm and direct, reflecting the intimate nature of the portrait miniature, which was often intended for private viewing or as a personal token of affection.
Cooper's ability to convey the personality of his subjects through subtle shifts in light and shadow is evident in this piece. He avoids excessive ornamentation, choosing instead to focus on the sitter's features and the specific details of her costume. The work provides a glimpse into the aesthetic preferences of the Restoration era, where fashion and identity were frequently intertwined. As a master of the medium, Cooper elevates the miniature from a simple record of appearance to a sophisticated study of human presence. This print preserves the fine detail of the original vellum, allowing for a close examination of the artist's technique and the specific stylistic choices of the period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Frances Teresa Stuart, Duchess of Richmond and Lennox, in Travesty - Samuel Cooper
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