Fruit still life with flower tazza, squirrel, and jar - Jan van Kessel the Elder
Archival giclée
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Description
A detailed seventeenth-century Flemish still life by Jan van Kessel the Elder, featuring an abundance of fruit, a floral tazza, and small animals.
Jan van Kessel the Elder was a prominent member of the Flemish school, known for his meticulous approach to natural history and still life painting. This composition demonstrates his capacity for rendering diverse textures, from the smooth skin of stone fruits to the porous surface of a stoneware jug. The arrangement follows the conventions of seventeenth-century Dutch and Flemish still life, where an abundance of produce is displayed across a table surface against a dark, neutral background.
The painting features a variety of objects, including porcelain plates filled with red currants, a central bowl of assorted fruits, and a decorative tazza holding a small bouquet of flowers. Van Kessel includes small creatures, such as a squirrel and insects, which add a sense of life to the static scene. These details reflect the period interest in scientific observation and the classification of the natural world. The lighting is directed to define the volume of each object, creating a sense of physical presence on the table.
Van Kessel often worked on a smaller scale, but this work displays the characteristic precision he applied to his subjects. The inclusion of a silver spoon, a knife, and a folded napkin provides a domestic context, suggesting a setting of luxury and consumption. The artist balances the composition through the placement of the large stoneware jar on the right and the smaller glassware on the left. The colour palette remains grounded in earth tones, with the red of the currants and the varied hues of the fruit providing the primary visual interest. This work is representative of the artist's technical skill and his focus on the material qualities of his subjects, capturing a moment of quiet observation within a highly structured environment.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Fruit still life with flower tazza, squirrel, and jar - Jan van Kessel the Elder
Artist Biography
Jan Van Kessel The Elder
He was born in Antwerp in 1626, the grandson of Jan Brueghel the Elder through his mother Paschasia. He studied under Simon de Vos and later received instruction from his uncle and godfather Jan Brueghel the Younger. He became a master in the Guild of Saint Luke in 1644 as a flower painter, though flowers were only one of his subjects. He painted garlands, bouquets, marines, river landscapes, paradise scenes, allegories and genre subjects, but he is best known for tiny, jewel-like paintings of insects and shells on copper, depicted against light backgrounds with scientific exactitude.
He worked from nature and from illustrated scientific texts, blending direct observation with published sources. His small insect panels were sometimes produced in pairs or as series designed to decorate the fronts of cabinet drawers where collectors stored actual specimens. The paintings served as both art and catalogue.
He used two different signatures depending on the size of the painting: a cursive, decorative version for larger formats and a more compact form for miniatures. The practice was later misinterpreted as evidence that two different painters were at work. He spent time in Spain as court painter to Philip IV and as a captain in the King's army, probably in the late 1640s. He married Maria van Apshoven in 1647; of their thirteen children, Ferdinand and Jan the Younger also became painters. He died in Antwerp in 1679.
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