Fukui Bridge in Echizen Province - Katsushika Hokusai
Archival giclée
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Description
A classic woodblock print by Katsushika Hokusai from his series Remarkable Views of Bridges in Various Provinces, capturing daily life on the Fukui Bridge.
This woodblock print by Katsushika Hokusai is part of the series titled Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), produced during the 1830s. The composition focuses on the Fukui Bridge, a structure in Echizen Province, depicted with the characteristic precision of the Edo period. Hokusai uses a balanced arrangement to contrast the busy activity of travellers on the bridge with the quiet, expansive nature of the riverbank beyond.
The foreground features a group of figures crossing the wooden bridge, accompanied by a pack horse laden with goods. Their clothing and posture suggest the daily commerce and travel common to the era. Hokusai employs a clear, linear style to define the architectural elements of the bridge, while the background reveals a more simplified treatment of the distant hills and the river. The use of Prussian blue, a pigment that became accessible in Japan during this period, provides a distinct tonal quality to the water and the sky.
Across the river, the bank is occupied by structures and what appear to be frames for drying textiles or paper, suggesting the local industry of the region. The sky is rendered with a subtle gradient, a technique Hokusai mastered to create depth without relying on complex shading. The print demonstrates the artist's ability to observe both the human element and the physical geography of Japan. By framing the scene from the elevated perspective of the bridge, Hokusai invites the viewer to observe the movement of people against the backdrop of a provincial town. This work remains a clear example of the technical skill involved in traditional Japanese woodblock printing, where multiple blocks were carved and inked to achieve the final image.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Fukui Bridge in Echizen Province - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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