Ganzen aan oever - Matsuki Heikichi
Archival giclée
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Made to order
Description
A serene woodblock print depicting two geese at the water's edge, rendered in the traditional kacho-ga style with soft, atmospheric tones.
This woodblock print, titled Ganzen aan oever, originates from the publisher and artist Matsuki Heikichi. It belongs to the kacho-ga tradition, a genre focused on birds and flowers, which remained a popular subject within Japanese printmaking throughout the early twentieth century. The composition features two geese positioned at the water's edge. One goose leans forward to drink, its neck creating a gentle curve that guides the viewer's eye toward the water surface. The second goose remains partially obscured behind reeds, providing a sense of depth and natural observation.
The artist employs a muted colour palette, relying on soft greys, whites, and earthy tones to convey the quiet atmosphere of the scene. The water is rendered with subtle gradations, capturing the gentle ripples and the reflection of the drinking goose. The lines are precise and controlled, characteristic of the technical standards maintained by the publisher's workshop. Unlike the bold, flat colours of earlier ukiyo-e prints, this work incorporates shading and atmospheric effects that align with the shin-hanga movement, which sought to modernise traditional print techniques by integrating Western concepts of light and perspective.
Matsuki Heikichi was a significant figure in the Tokyo print world, operating under the name Daikokuya. His establishment was known for producing high-quality prints that appealed to both domestic and international collectors. This particular work demonstrates the careful balance between decorative composition and naturalistic observation. The print avoids excessive ornamentation, allowing the simple interaction between the animals and their environment to remain the primary focus. The inclusion of the artist's seal provides authenticity to the piece, marking it as a product of his studio during a period when Japanese printmaking was undergoing a transition in both style and market reach.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Ganzen aan oever - Matsuki Heikichi
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