Gebil Hor. Mount Hor, from the Cliffs Encircling Petra - David Roberts
Archival giclée
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Description
A detailed lithograph by David Roberts, capturing the rugged geological formations of Mount Hor in Jordan as observed during his 1839 expedition.
This lithograph depicts the rugged terrain of Mount Hor, as observed by David Roberts during his extensive travels through the Near East in 1839. Roberts, a Scottish painter, gained recognition for his meticulous documentation of architectural and geographical sites across Egypt, the Holy Land, and Jordan. His work captures the stark, arid beauty of the region with precision, focusing on the geological formations that define the area surrounding the ancient city of Petra.
The composition utilises a muted palette, characteristic of the lithographic process employed by Louis Haghe, who translated Roberts' original sketches into the final prints for the publication 'The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia'. The drawing emphasises the sheer scale of the rock faces and the dramatic shadows cast across the craggy slopes. By employing fine, controlled lines, Roberts conveys the texture of the stone and the sparse vegetation clinging to the cliff edges. The perspective is elevated, placing the viewer on the encircling cliffs to look across the chasm toward the peak of Mount Hor.
This print reflects the nineteenth-century fascination with distant lands and the desire to record remote locations with accuracy. Roberts avoided the romanticised embellishments common to his contemporaries, preferring a direct, observational approach. The result is a clear, topographical record that balances artistic sensitivity with the demands of scientific documentation. The work remains a primary visual source for the appearance of the Jordanian desert in the early nineteenth century, providing a window into the expedition that solidified Roberts' reputation as a chronicler of the Middle East.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gebil Hor. Mount Hor, from the Cliffs Encircling Petra - David Roberts
Artist Biography
David Roberts
In 1838 he sailed for Egypt and spent the next two years travelling through the Middle East, filling sketchbooks with drawings of temples, mosques, ruins and desert landscapes that almost no British artist had recorded before. To enter the mosques he had to shave off his sideburns, leave his hog-hair brushes behind (the pig being unclean), and wear traditional Arab clothing while he worked. He was one of the first Europeans allowed to paint inside a mosque.
The sketches became The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia, a series of 247 lithograph plates produced in collaboration with the printer Louis Haghe between 1842 and 1849. He funded the project through advance subscriptions, soliciting them personally. Queen Victoria was subscriber number one. Her complete set is still in the Royal Collection.
The lithographs gave Europeans their first detailed visual record of the ancient Near East. They were bought as art, used as reference by scholars, and shaped the Western imagination of Egypt and Palestine for the rest of the century.
His personal life was less composed. His wife Margaret became an alcoholic and in 1831 he sent her back to Scotland to be cared for by friends. He raised their daughter Christine largely alone. He was elected to the Royal Academy in 1841, a considerable achievement for a man who had started painting houses, and worked steadily until his death in 1864.
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