Geraniums - Odilon Redon
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A delicate pastel study of a potted geranium plant by French Symbolist artist Odilon Redon, featuring soft textures and luminous red tones.
Odilon Redon, a central figure in the Symbolist movement, is often associated with his dreamlike, monochromatic charcoal works known as his noirs. However, his later career saw a shift toward colour, particularly in his floral studies. This work, Geraniums, demonstrates his mastery of pastel, a medium that allowed him to explore light and texture with a soft, atmospheric quality.
The composition is straightforward, focusing on a single potted plant against a neutral, textured background. Redon avoids the rigid precision of botanical illustration, choosing instead to capture the essence of the flowers through layered, luminous colour. The geraniums are rendered in bright, saturated reds, which contrast with the muted, earthy tones of the terracotta pot and the pale, sandy backdrop. His application of pastel creates a soft, hazy effect, blurring the edges of the leaves and petals to suggest a sense of quiet contemplation.
Unlike his earlier, more enigmatic works, this piece reflects his interest in the natural world during his later years. The plant occupies the centre of the frame, presented with a simplicity that draws the viewer into the subtle variations of tone and mark-making. The texture of the paper remains visible, adding a tactile quality to the image. Redon uses colour not merely to describe the subject, but to evoke a specific mood, balancing the intensity of the red blooms with the understated, grainy surface of the pot. This print captures the delicate balance between observation and imagination that defined Redon's approach to the still life genre, offering a view into his personal fascination with the quiet beauty of domestic flora.
You might also like
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Geraniums - Odilon Redon
Artist Biography
Odilon Redon
For the first two decades of his career he worked exclusively in black: charcoal drawings and lithographs he called his noirs. Floating eyeballs, severed heads with closed lids, spiders with human faces, plants that grow teeth. The images are hallucinatory but precisely rendered, closer to medical illustration than fantasy. He published his first lithograph album, Dans le Reve, in 1879. Nobody noticed.
Recognition came sideways. In 1884, Joris-Karl Huysmans published A rebours, a novel about a reclusive aesthete who decorates his rooms with Redon's prints. The book became a cult text for the Symbolist movement and Redon became famous by association. Stephane Mallarme, the Symbolist poet, became a close friend. Redon also completed a series of lithographs dedicated to Edgar Allan Poe, whose poems Mallarme and Baudelaire had translated into French.
After 1900 he stopped making noirs entirely and shifted to colour: pastels and oils of flowers, mythological figures and butterflies in palettes that anticipate Matisse. The transition was so complete that the Surrealists later claimed the black work while the Fauves claimed the colour, and neither group seemed to notice they were talking about the same person.
He studied under Jean-Leon Gerome at the Ecole des Beaux-Arts, which is an unlikely pairing: Gerome painted Roman gladiators with photographic precision. Redon painted eyeballs attached to balloons. Goya and Delacroix were the influences that actually stuck.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like