Gesigt op Santpoort - Hendrik de Leth
Archival giclée
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Description
A detailed eighteenth-century etching by Hendrik de Leth, capturing a rural view of Santpoort near Haarlem with grazing horses and village architecture.
This etching and engraving by Hendrik de Leth depicts a rural scene near Santpoort, a village in the Netherlands. The composition is structured around a wide, open field that occupies the foreground and middle ground, populated by grazing horses and figures. In the distance, a row of modest houses and trees defines the edge of the village, providing a sense of scale against the expansive sky. The artist employs precise line work to render the clouds, which dominate the upper portion of the print, creating a sense of atmospheric depth typical of eighteenth-century Dutch topographical art.
De Leth was a cartographer and publisher based in Amsterdam, known for his detailed documentation of the Dutch countryside. This work belongs to a broader tradition of topographical prints intended for collectors and travellers. The bilingual caption at the base, written in both Dutch and French, identifies the location as the Zantpoort district within the banne of Velzen, as seen from the direction of Haarlem. Such inscriptions were common in the period, catering to an international audience interested in the geography of the Low Countries.
The print demonstrates a clear focus on clarity and observational accuracy. The figures are small, serving to populate the scene rather than act as the primary subject. The architecture is rendered with simple, clean lines, reflecting the functional nature of the buildings. By using a combination of etching for the fluid cloud formations and engraving for the sharper architectural details, the artist achieves a balanced visual texture. This piece offers a glimpse into the rural character of the region during the mid-eighteenth century, capturing a quiet moment of agricultural life before the onset of industrialisation. It is a fine example of the technical skill applied to topographical documentation in the Netherlands during this era.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gesigt op Santpoort - Hendrik de Leth
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