Gevleugelde draak (Winged Dragon) - Christoph Jamnitzer
Archival giclée
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Description
A 1610 etching by Christoph Jamnitzer featuring a central winged dragon surrounded by whimsical, grotesque figures from his 'Neuw Grottesken Buch'.
This etching by the Nuremberg goldsmith and engraver Christoph Jamnitzer originates from his publication 'Neuw Grottesken Buch', released in 1610. The work displays the characteristic Mannerist fascination with the grotesque, a style that blends natural forms with fantastical, hybrid creatures. The central figure is a winged dragon, rendered with fluid, calligraphic lines that define its serpentine body and scales. Surrounding this creature are various smaller, whimsical motifs, including insects, hybrid animals, and decorative elements that defy conventional biological classification.
Jamnitzer, a member of a prominent family of goldsmiths, applied his expertise in metalwork design to the medium of printmaking. The composition is ornamental, prioritising the arrangement of these disparate elements across the page rather than a coherent spatial narrative. The figures appear to float in a void, a common trait in pattern books intended for craftsmen seeking inspiration for jewellery, metalwork, or architectural ornamentation. The precision of the etching reflects the technical skill required for the creation of complex goldsmithing designs, where the artist balanced control with imaginative excess.
This print serves as an example of the late Renaissance interest in the bizarre and the curious. The inclusion of small, almost comical figures alongside the more imposing dragon demonstrates the playful nature of the grotesque tradition. By isolating these figures from a larger context, the print invites the viewer to examine the individual components of Jamnitzer's inventive vocabulary. The work remains a primary source for understanding the aesthetic priorities of early seventeenth-century German decorative arts, where the boundary between the natural and the artificial was intentionally blurred to create objects of wonder.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gevleugelde draak (Winged Dragon) - Christoph Jamnitzer
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