Gezicht op Blaricum - Hendrik Spilman
Archival giclée
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Description
A detailed 1743 etching by Hendrik Spilman depicting a panoramic view of the Dutch village of Blaricum from the Tafelberg.
This etching by Hendrik Spilman, dated 1743, provides a precise topographical record of the village of Blaricum in the Gooiland region of the Netherlands. The composition is taken from the perspective of the Tafelberg, a prominent local hill, offering a wide, panoramic view of the rural settlement below. Spilman, a skilled draughtsman and engraver, employs fine, controlled lines to delineate the church tower, the surrounding farmsteads, and the agricultural fields that define the village perimeter.
In the foreground, the artist captures the rhythm of the harvest, with sheaves of grain arranged in neat rows across the fields. A small figure sits near a cart, providing a sense of scale to the expansive rural environment. The middle ground is occupied by a dense line of trees, which separates the cultivated land from the village centre. In the distance, the flat Dutch horizon stretches out, punctuated by the silhouettes of distant spires and buildings, typical of the regional topography of the mid-eighteenth century.
Spilman was known for his extensive documentation of Dutch towns and country estates. His work often appeared in topographical series, intended for collectors interested in the geography and architecture of the Netherlands. The print exhibits the technical clarity required for such documentation, with hatching used to suggest texture in the foliage and the thatched roofs of the houses. The sky is rendered with light, horizontal strokes, maintaining a sense of openness that balances the detailed activity in the foreground. This print serves as a historical document, preserving the appearance of Blaricum before the industrial and urban expansions of later centuries. It reflects the eighteenth-century interest in regional identity and the systematic recording of the Dutch countryside through the medium of printmaking.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gezicht op Blaricum - Hendrik Spilman
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