Gezicht op Chiatanone, Veduta del Chiatanone - Antoine Eugène Ernest Buttura
Archival giclée
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Description
A detailed graphite and wash drawing of the Chiatamone district in Naples, featuring the Castel dell'Ovo in the distance.
This drawing by Antoine Eugène Ernest Buttura captures a serene view of the Chiatamone district in Naples, with the distant silhouette of the Castel dell'Ovo visible across the water. Buttura, a French artist who spent significant time in Italy, demonstrates a precise approach to architectural rendering combined with the atmospheric qualities of wash techniques. The composition is balanced, drawing the eye from the foreground figures on the sandy shore towards the urban sprawl rising along the hillside.
The artist employs fine graphite lines to define the structures of the buildings and the rigging of the small boats moored near the quay. The use of light wash provides depth to the scene, suggesting the soft, hazy quality of Mediterranean light. The figures in the foreground are rendered with minimal detail, serving to provide a sense of scale against the imposing architecture of the city. The inclusion of the Castel dell'Ovo, a historic fortification, anchors the composition and provides a clear geographical reference for the viewer.
Buttura’s work reflects the nineteenth-century interest in the Grand Tour and the documentation of Italian coastal cities. His technique avoids excessive ornamentation, focusing instead on the clarity of form and the spatial relationship between the land and the sea. The muted palette, dominated by sepia and grey tones, contributes to the quiet, observational nature of the piece. This drawing offers a glimpse into the appearance of Naples during the mid-nineteenth century, capturing a moment of daily life before the rapid urbanisation of the later decades. It is a study of light, form, and the enduring character of the Neapolitan coastline, presented with the technical restraint characteristic of the period's academic training.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gezicht op Chiatanone, Veduta del Chiatanone - Antoine Eugène Ernest Buttura
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