Gezicht op de Biltstraat buiten Utrecht - Johannes Jelgerhuis
Archival giclée
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Description
A detailed watercolour study by Johannes Jelgerhuis, capturing a serene view of the Biltstraat near Utrecht with a stone bridge and mature trees.
This watercolour by Johannes Jelgerhuis depicts a quiet scene along the Biltstraat, located just outside the city of Utrecht. Jelgerhuis, a versatile artist who worked as both a painter and an actor, demonstrates a precise approach to topographical recording in this work. The composition centres on a small stone bridge spanning a narrow canal, flanked by mature trees that provide a sense of scale and enclosure. To the left, a modest building stands near the water, while the path leads the eye towards the distant silhouette of a church tower, suggesting the proximity of the urban centre.
The technique relies on a combination of delicate ink outlines and subtle watercolour washes. The palette is restrained, favouring muted greens, greys, and earthy tones that reflect the atmospheric conditions of the Dutch countryside. Jelgerhuis captures the interplay of light and shadow on the foliage and the masonry of the bridge with careful observation. The work avoids dramatic flair, opting instead for a clear, balanced representation of the environment as it appeared during the early nineteenth century.
As a document of local history, this piece provides insight into the appearance of the outskirts of Utrecht before the industrial expansion of the later nineteenth century. The artist's background in theatre likely informed his ability to stage the scene, creating a sense of depth through the placement of the trees and the receding path. This print offers a view into a period of Dutch art where the documentation of specific locations was a primary concern for many draughtsmen. It remains a quiet, observational study of a specific moment in time, preserved through the artist's disciplined use of line and wash.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gezicht op de Biltstraat buiten Utrecht - Johannes Jelgerhuis
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