Gezicht op de lustplaats Westerhout te Beverwijk - Hendrik de Leth
Archival giclée
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Description
A detailed 18th-century etching by Hendrik de Leth showing the Westerhout estate in Beverwijk, complete with a horse-drawn carriage and formal gardens.
This etching and engraving by Hendrik de Leth depicts the Westerhout estate in Beverwijk, a site historically associated with the Dutch elite. The composition presents a formal view of the country house, framed by mature trees that create a sense of symmetry and order. In the foreground, a horse-drawn carriage approaches the residence, providing a sense of scale and activity within the quiet, manicured grounds. The artist employs precise line work to define the architecture of the house and the textures of the surrounding foliage.
De Leth was a cartographer and engraver active in Amsterdam during the eighteenth century. His work often documented the country estates of wealthy merchants and officials, reflecting the cultural desire to record the prosperity of the Dutch Republic. The print includes bilingual text in Dutch and French at the base, identifying the owner as Jan Daniel Bernardi, a prominent figure in Amsterdam society. This inclusion of titles and ownership details was common in topographical prints of the period, as these images functioned as both artistic records and status symbols for the property owners.
Technically, the print demonstrates the disciplined approach to perspective and shading characteristic of the era. The use of cross-hatching provides depth to the wooded areas, while the clear, open space in front of the house draws the eye toward the main structure. The work offers a glimpse into the architectural preferences of the Dutch gentry, who favoured structured gardens and classical building designs. As a historical document, it preserves the appearance of a specific location that has undergone significant changes over the centuries. The print remains a clear example of the topographical tradition that flourished in the Netherlands, where the documentation of private estates became a genre of its own, blending artistic skill with the meticulous detail required for accurate representation.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gezicht op de lustplaats Westerhout te Beverwijk - Hendrik de Leth
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