Gezicht op de vijver richting de colonnade in de tuin van Huis ter Meer te Maarssen - Hendrik de Leth
Archival giclée
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Description
An eighteenth-century etching by Hendrik de Leth depicting the formal gardens and fountain at Huis ter Meer in Maarssen.
This etching by Hendrik de Leth depicts the formal gardens of Huis ter Meer in Maarssen, a site of significant architectural interest during the eighteenth century. The composition focuses on the water feature, a tiered fountain surrounded by sculpted hedges and figures in period attire. The perspective draws the eye towards the colonnade in the distance, framed by rows of trees that demonstrate the geometric precision characteristic of Dutch garden design from this era.
De Leth employs a precise etching technique to capture the textures of the stone fountain, the foliage, and the clothing of the visitors. The scene functions as both a topographical record and a social observation, documenting the leisure activities of the Dutch elite. The inclusion of a horse-drawn carriage on the path adds a sense of scale and movement to the otherwise static, ordered environment. The print reflects the broader European interest in documenting country estates, a practice that allowed owners to display their property and status to a wider audience through printed media.
The work is typical of the period's output, where artists sought to balance architectural accuracy with the aesthetic conventions of the time. The lines are clean and deliberate, providing a clear view of the garden's layout. By documenting the specific arrangement of the Huis ter Meer grounds, De Leth provides a glimpse into the horticultural fashions of the Dutch Republic. This print is a valuable resource for those interested in the history of garden architecture and the development of printmaking in the Netherlands during the mid-eighteenth century. It remains a clear example of how topographical prints were used to disseminate knowledge of private estates to the public.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gezicht op de vijver richting de colonnade in de tuin van Huis ter Meer te Maarssen - Hendrik de Leth
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