Gezicht op de Waag te Alkmaar - Leonard Schenk
Archival giclée
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Description
A detailed eighteenth-century etching by Leonard Schenk depicting the historic weigh house in Alkmaar, capturing the architectural character of the Dutch city.
This etching and engraving by Leonard Schenk depicts the Waag (weigh house) in Alkmaar, a structure of significant architectural interest in the Netherlands. Schenk, a Dutch engraver active during the eighteenth century, specialised in topographical views that documented the urban character of Dutch cities. The composition focuses on the weigh house, with its distinctive tower and gabled facade, positioned alongside a canal. A small drawbridge connects the foreground to the square, while figures in period attire populate the scene, providing a sense of scale and daily activity.
The technique employed demonstrates the precision typical of eighteenth-century printmaking. Fine lines define the masonry of the building, the texture of the trees, and the ripples on the water surface. The use of cross-hatching creates depth and shadow, particularly under the eaves and within the architectural recesses of the Waag. The sky is rendered with subtle horizontal strokes, suggesting a calm atmosphere.
Schenk's work belongs to a tradition of Dutch printmaking that sought to capture the civic pride of provincial towns. By documenting the specific features of the Waag, the artist provides a visual record of the building as it appeared during the mid-eighteenth century. The inclusion of bilingual titles in Dutch and French, 'Gesigt van de Stads Waag' and 'Vue du Poids de la Ville', indicates that such prints were intended for a broader European audience interested in the geography and architecture of the Low Countries. This print offers a clear, objective view of the urban environment, free from the romanticised embellishments often found in later artistic interpretations of Dutch town life. It remains a valuable resource for those interested in the history of Dutch urban planning and the evolution of architectural styles in the region.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gezicht op de Waag te Alkmaar - Leonard Schenk
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