Gezicht op het Accijnshuis te Alkmaar - Leonard Schenk
Archival giclée
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Description
A detailed eighteenth-century etching by Leonard Schenk, capturing the architectural character and canal-side activity of the Accijnshuis in Alkmaar.
This detailed etching by Leonard Schenk depicts the Accijnshuis, or Excise House, in the Dutch city of Alkmaar. Schenk was a prolific engraver and publisher active in Amsterdam during the mid-eighteenth century. His work often focused on the architectural character of Dutch towns, capturing the specific urban planning and maritime commerce that defined the region.
The composition centres on the Accijnshuis, a robust stone building with a distinctive clock tower. The structure sits at the edge of a canal, which serves as a primary transport artery for the town. Schenk employs precise line work to delineate the masonry of the building and the surrounding gabled houses. The water is rendered with subtle horizontal strokes, suggesting a calm surface disturbed only by the small vessels moored nearby. A larger boat is positioned directly in front of the Excise House, its mast reaching toward the sky, while smaller figures populate the quayside and the bridge in the background.
The print reflects the eighteenth-century interest in topographical accuracy and the documentation of civic architecture. The dual-language title, 'Gesigt van het Acceys-huys' and 'Vue de la Gabelle', indicates that such prints were intended for a broad audience, including international travellers and collectors of city views. The use of cross-hatching in the sky and the shadows of the buildings provides a sense of depth and atmospheric perspective, typical of the period's printmaking techniques. This work offers a clear view into the daily life and infrastructure of Alkmaar, showing the integration of trade and civic administration in a bustling Dutch port town. The clarity of the lines and the balanced arrangement of the scene demonstrate the technical skill required to produce such commercial topographical prints for the burgeoning market of the era.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gezicht op het Accijnshuis te Alkmaar - Leonard Schenk
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