Gezicht op het Septizonium en het Colosseum in Rome - Hieronymus Cock
Archival giclée
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Description
A detailed 1551 etching by Hieronymus Cock depicting the ruins of the Septizonium and the Colosseum in Rome.
This etching by Hieronymus Cock, published in 1551, captures the ruins of the Septizonium and the Colosseum in Rome. Cock, a Flemish painter and printmaker, operated a publishing house in Antwerp known as 'Aux Quatre Vents'. His work was instrumental in disseminating images of classical antiquity to a Northern European audience, who often had limited access to the physical sites of the Roman Empire.
The composition presents the architectural remains with a focus on the structural decay of the Septizonium, a monumental fountain structure commissioned by Septimius Severus. The artist employs precise line work to delineate the weathered stone, the crumbling arches, and the vegetation reclaiming the masonry. Two figures stand in the foreground, providing a sense of scale against the massive, ruined columns and vaulted chambers. The background features a distant, sketch-like view of the Roman countryside, typical of the era's approach to integrating historical monuments into a broader topographical context.
Cock's technique relies on varied hatching to create shadow and texture, which defines the volume of the ruins against the open sky. The print belongs to a series of Roman views that influenced generations of artists, architects, and antiquarians. By documenting these sites, Cock provided a visual record of the state of Roman ruins during the mid-sixteenth century. The print reflects the period's fascination with classical history and the melancholic beauty of architectural decline. It remains a primary source for understanding how Renaissance observers perceived the physical remnants of the ancient world, balancing archaeological interest with the aesthetic conventions of the time.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gezicht op het Septizonium en het Colosseum in Rome - Hieronymus Cock
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