Gezicht te Anjer, Java - Charles William Meredith van de Velde
Archival giclée
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Description
A detailed nineteenth-century watercolour depicting the coastal settlement of Anjer, Java, capturing the daily life and tropical environment of the port.
This watercolour depicts the coastal settlement of Anjer on the island of Java during the mid-nineteenth century. Charles William Meredith van de Velde, a Dutch naval officer and cartographer, produced this work during his travels in the Dutch East Indies. The composition follows the conventions of colonial topographical art, prioritising a clear, panoramic view of the harbour and the surrounding tropical environment.
In the foreground, the shoreline features a group of figures engaged in fishing, their forms rendered with precise, small brushstrokes. To the left, two individuals stand on the grassy bank, observing the scene. The middle ground contains a collection of modest dwellings and structures, sheltered by a cluster of tall palm trees. The background reveals a soft, undulating range of hills, fading into the atmospheric haze of the horizon. The sky occupies a significant portion of the frame, filled with light, billowing clouds that suggest the humid climate of the region.
Van de Velde utilised a muted palette of greens, ochres, and soft blues to capture the coastal light. His technique reflects the training of a surveyor, as the architectural elements and the spatial relationships between the land and the sea are delineated with care. The work provides a visual record of the maritime activity and colonial presence in Java during this period. It avoids the dramatic flair often associated with European Romanticism, opting instead for a documentary approach that captures the quiet, daily rhythms of the port. The inclusion of the border frame suggests this piece was intended for a portfolio or as a study for a larger lithographic publication, common for travellers documenting their expeditions to distant territories.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gezicht te Anjer, Java - Charles William Meredith van de Velde
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