Gipsmodellen voor beeldhouwwerken op het Palais du Louvre - Édouard Denis Baldus
Archival giclée
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Description
A nineteenth-century photographic study by Édouard Denis Baldus documenting plaster models for sculptures at the Palais du Louvre.
This photographic study by Édouard Denis Baldus documents the plaster models for sculptural commissions intended for the Palais du Louvre in Paris. During the mid-nineteenth century, the French government commissioned extensive renovations and expansions of the Louvre, a project that required a vast programme of decorative sculpture. Baldus, a photographer of significant technical skill, was engaged to record the progress of these works, including the preparatory models produced by various sculptors.
The image presents two distinct figures side by side against a plain, neutral background. On the left, the model for the statue of the poet and critic Nicolas Boileau, created by Gabriel Bernard Seurre, is shown in period attire. On the right stands the model for the statue of the theologian and writer François Fénelon, executed by Jean Bonnassieux. The stark, monochromatic nature of the salted paper print allows for a clear examination of the sculptural form, the texture of the plaster, and the drapery of the garments.
Baldus utilised photography as a tool for archival documentation, capturing the ephemeral state of these models before their translation into permanent stone or bronze. His approach is objective and precise, focusing on the clarity of the subjects rather than artistic interpretation. The composition is straightforward, presenting the figures as isolated objects of study. This work provides insight into the intersection of nineteenth-century architectural development and the emerging field of industrial photography. It serves as a record of the collaborative efforts between architects, sculptors, and photographers during the Second Empire. The print reflects the standard practices of the period, where photography was employed to catalogue the vast output of state-sponsored artistic projects, ensuring that the details of these figures were preserved for historical reference.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre - Édouard Denis Baldus
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