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Museum-grade giclée on FSC-certified paper Framed prints arrive ready to hang Secure checkout Faulty or damaged? We'll replace it free A British studio, printing worldwide

Gipsmodellen voor beeldhouwwerken op het Palais du Louvre - Édouard Denis Baldus

Regular price  $220.00 NZD
Sale price  $220.00 NZD Regular price 
Product: Fine Art Framed
Size: A4 (21x29.7 cm)
Frame: Black frame
Made to order near you · delivery in 5 to 7 business days

Archival giclée · Damage-free delivery guarantee

Buy any 3 full-price artworks, save 15%

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Archival giclée

Frames arrive ready to hang

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Made to order

Description

A nineteenth-century photographic study by Édouard Denis Baldus documenting plaster models for sculptures at the Palais du Louvre.

This photographic study by Édouard Denis Baldus documents the plaster models for sculptural commissions intended for the Palais du Louvre in Paris. During the mid-nineteenth century, the French government commissioned extensive renovations and expansions of the Louvre, a project that required a vast programme of decorative sculpture. Baldus, a photographer of significant technical skill, was engaged to record the progress of these works, including the preparatory models produced by various sculptors.

The image presents two distinct figures side by side against a plain, neutral background. On the left, the model for the statue of the poet and critic Nicolas Boileau, created by Gabriel Bernard Seurre, is shown in period attire. On the right stands the model for the statue of the theologian and writer François Fénelon, executed by Jean Bonnassieux. The stark, monochromatic nature of the salted paper print allows for a clear examination of the sculptural form, the texture of the plaster, and the drapery of the garments.

Baldus utilised photography as a tool for archival documentation, capturing the ephemeral state of these models before their translation into permanent stone or bronze. His approach is objective and precise, focusing on the clarity of the subjects rather than artistic interpretation. The composition is straightforward, presenting the figures as isolated objects of study. This work provides insight into the intersection of nineteenth-century architectural development and the emerging field of industrial photography. It serves as a record of the collaborative efforts between architects, sculptors, and photographers during the Second Empire. The print reflects the standard practices of the period, where photography was employed to catalogue the vast output of state-sponsored artistic projects, ensuring that the details of these figures were preserved for historical reference.

Return policy

Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.

Shipping

We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.

Manufacturing

Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.

Care and materials

Specific Features

Every Solis piece is made to order with archival, gallery-quality materials built to last.

  • Museum-grade giclée printing for rich, fade-resistant colour
  • Archival matte fine-art paper, FSC-certified
  • Multiple sizes and framing options available
  • Frames in black, natural wood, dark wood or white
  • Framed prints arrive ready to hang

Care & Cleaning

To keep your artwork looking its best:

  • Dust gently with a soft, dry cloth
  • Avoid prolonged direct sunlight
  • Never use liquid cleaners on the print or canvas surface
  • Keep in a dry, room-temperature space
  • Handle prints with clean, dry hands

Materials & Sizing

Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.

  • Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
  • Canvas: XS (20×30 cm) to Large (60×90 cm)
  • Frames: black, natural wood, dark wood or white
Complete The Look
Gipsmodellen voor beeldhouwwerken op het Palais du Louvre - Édouard Denis Baldus - Framed Print Black

Gipsmodellen voor beeldhouwwerken op het Palais du Louvre - Édouard Denis Baldus

Regular price  From $220.00 NZD
Sale price  From $220.00 NZD Regular price 
Fine Art Framed / A4 (21x29.7 cm) / Black frame

Why Choose Us ?

Premium quality artwork

Printed with museum-grade inks for rich, lasting color.

Meticulous craftsmanship

Solid wood frames assembled with precision and care.

Modern & timeless design

Curated collections that balance trend and longevity.

Crafted with care

Carefully inspected and finished before shipping.

Damage-free delivery guarantee

Fast Shipping

Museum-Quality Materials

Frequently Asked Questions

How long does it take to process an order?

Every print is made to order. UK orders typically arrive within 3–5 business days; US and European orders usually take a little longer (around 5 business days). You’ll get a confirmation email as soon as your order is on its way.

Do you ship internationally?

Yes — we currently ship across the UK, US and Europe. Available shipping options and costs are shown at checkout.

What is your return policy?

Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.

What are your sizing options?

Most artworks come in a range of formats and sizes:

  • Poster & Framed: A4, A3, A2, A1, A0 and B2 (50×70 cm)
  • Canvas & Framed Canvas: XS (20×30), Small (30×40), Medium (40×60), Large (60×90 cm)

The available options appear in the dropdowns on each product.

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