Goal VI - Lucebert
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Description
A stark, expressionist ink drawing by Dutch artist Lucebert, featuring a distorted figure rendered with raw, spontaneous lines.
Lucebert, the pseudonym of Lubertus Jacobus Swaanswijk, was a central figure in the Dutch post-war avant-garde. As a poet and painter, his work often bridges the gap between linguistic expression and visual art. This piece, dated 5 December 1971, displays the raw, unrefined aesthetic characteristic of the CoBrA movement, which prioritised spontaneity and a rejection of traditional academic constraints.
The drawing depicts a figure with a distorted, almost grotesque head, rendered with heavy, aggressive ink strokes that contrast with the simpler, more schematic lines of the body. The face is a collection of jagged marks and dark patches, suggesting a psychological intensity or a fractured sense of self. In contrast, the torso is adorned with a small, delicate flower, a recurring motif in Lucebert's work that introduces a sense of irony or vulnerability to the otherwise imposing figure. The subject holds a heavy, club-like object, adding to the sense of unease and physical weight within the composition.
Lucebert's approach to drawing is immediate and direct. He avoids the polish of classical portraiture, opting instead for a style that feels urgent and unfiltered. The stark black ink against the white paper creates a high-contrast image that demands attention. This work captures the artist's ability to combine elements of the absurd with a biting social commentary, reflecting his background as a writer who used visual media to explore the complexities of the human condition. The date inscribed at the bottom right confirms its place within his prolific period of the early 1970s, a time when his visual language had become fully matured and distinct.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Goal VI - Lucebert
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