God Tiber and Vestal Virgin Tuccia - Theodoor Galle
Archival giclée
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Description
A detailed seventeenth-century engraving by Theodoor Galle depicting the Roman legend of the Vestal Virgin Tuccia proving her innocence.
This engraving by Theodoor Galle depicts the Roman legend of the Vestal Virgin Tuccia, who was falsely accused of unchastity. To prove her innocence, she successfully carried water from the River Tiber to the Temple of Vesta in a sieve. The composition features the river god Tiber, depicted as a bearded figure pouring water from an urn, while Tuccia stands before him holding the sieve. The scene is populated with classical motifs, including a she-wolf, putti, and architectural elements that evoke the Roman setting.
Theodoor Galle, a member of the prominent Antwerp-based Galle family of engravers, demonstrates the technical precision characteristic of the period. The work employs fine hatching and cross-hatching to define form and shadow, creating a sense of volume within the figures and the surrounding environment. The inclusion of Latin text at the base provides a narrative frame for the image, typical of the didactic nature of Northern Mannerist prints.
The architectural background, featuring a circular temple and colonnades, reflects the interest in classical antiquity that permeated European art during the early seventeenth century. The figures are rendered with a focus on anatomical detail, while the arrangement of the scene balances the mythological presence of the river god with the human narrative of the Vestal Virgin. This print serves as a record of the period's fascination with classical mythology and the technical capabilities of the copperplate engraving medium. The composition is structured to guide the viewer from the central interaction between Tuccia and the river god toward the background elements, creating a sense of spatial depth despite the two-dimensional nature of the print.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
God Tiber and Vestal Virgin Tuccia - Theodoor Galle
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