Godsdienstige handelingen en ceremoniën in Indië - Romeyn de Hooghe
Archival giclée
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Description
A detailed seventeenth-century etching by Romeyn de Hooghe, depicting various religious rites and ceremonies as documented in early ethnographic publications.
This etching by Romeyn de Hooghe originates from the late seventeenth-century publication, 'Alle de voornaamste godsdiensten in de geheele wereld'. De Hooghe was a prolific Dutch engraver and draughtsman, known for his technical precision and his ability to render complex narrative scenes within a single frame. This specific plate depicts a collection of diverse cultural and religious practices as perceived by European observers of the era.
The composition is densely packed, utilising a numbered key system at the top to identify various figures and actions, ranging from ritual offerings to architectural structures. The artist employs a high vantage point to organise the disparate elements, which include figures in ceremonial dress, animal sacrifices, and architectural motifs that blend observed reality with European imaginative interpretations of non-Western cultures. The line work is characteristic of the period, featuring fine hatching to create volume and texture across the figures and the surrounding terrain.
As a historical document, the print reflects the European fascination with global ethnography during the late seventeenth century. While the depictions are filtered through the lens of contemporary Dutch colonial and mercantile perspectives, the work remains a significant example of the era's print culture. The inclusion of text in both French and Dutch within the plate demonstrates the international reach of such publications. The scene is framed by a clear sense of order, typical of De Hooghe's approach to complex subject matter, ensuring that each element remains distinct despite the crowded nature of the composition. This print offers a window into the visual language used to communicate foreign customs to an educated European audience during the Dutch Golden Age.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Godsdienstige handelingen en ceremoniën in Indië - Romeyn de Hooghe
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